thedsgnblog:

Lourenço Salgueiro   |   http://march84.com

“Pitch for a CD collection of contemporary music in various genres. Using the client’s established graphic themes for each style, and making something less harmful to the environment by using recycled paper stocks, cloth and avoiding the use of plastic as much possible. Completed while at RMAC.”

Having worked for Giovanni Bianco / Studio 65 in New York, RMAC in Lisbon, C&G Partners in New York city, and more recently with -nada- design studio in Lisbon again, I’m currently based in Lisbon, Portugal and available for freelance projects and other interesting opportunities.

the design blog:  facebook | twitter | pinterest | donations

(via thedsgnblog)

198 notes

artchipel:

Tumblr Artist

Robby Cavanaugh | on Tumblr (b.1988, USA) - the tangled flight / morpheus’ bind

Robby Cavanaugh is a self taught photographer based in Southern California. His fine-art based work began in 2010 and has already been recognized internationally, being featured in numerous media worldwide. During the past year, his emerging work has won him numerous international awards and publications. He strives to create works that transcend the reality we all see, to a reality we can all feel. Robby’s vision for his photography lies on the edge of dreams, where the surreal meets the material. You can visit Robby’s website or follow his Tumblr for more work.

[more Robby Cavanaugh | artist found at hifas]

(via brightsidesyndrome)

1,016 notes

“Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.”


― Bob Marley

jhnmyr:

Vintage new old stock Leica M4 and 50mm Summicron 2.0 Lens
Everything in this camera is manual. No light meter, no automatic focus, shutter, ISO or aperture. It was daunting at first but I’ve been practicing guessing shutter speed/aperture on a digital M9 and seeing how close I get. I consider myself experienced enough to bring only this camera with me now. Most indoor settings require an aperture setting of 2, 4 or 5.6 and a shutter speed of 60, 125 or 250. I’ve learned that the guessing - maybe the intuition - of the settings is what makes a photograph special.
Another great thing about shooting film is that when you see the photos back, it actually matures your “eye” for both looking at and taking pictures. There are a couple of fallacies in digital photography, one being the thinking that high contrast is “fillm-ier,” and the other that you should be able to take a crisp photo in any situation no matter how low the light. Old, classic photos aren’t all as high contrast as you might think, and even the greatest photographers of all time wouldn’t attempt to lift the camera to their eye in a candle lit restaurant basement. There aren’t any photographs of Marilyn Monroe in a dimply-lit wine cellar eating tapas. (I checked.)
Now it’s on me to blow some great moments by under/over exposing, but that’s how you pay your dues, I imagine.

jhnmyr:

Vintage new old stock Leica M4 and 50mm Summicron 2.0 Lens

Everything in this camera is manual. No light meter, no automatic focus, shutter, ISO or aperture. It was daunting at first but I’ve been practicing guessing shutter speed/aperture on a digital M9 and seeing how close I get. I consider myself experienced enough to bring only this camera with me now. Most indoor settings require an aperture setting of 2, 4 or 5.6 and a shutter speed of 60, 125 or 250. I’ve learned that the guessing - maybe the intuition - of the settings is what makes a photograph special.

Another great thing about shooting film is that when you see the photos back, it actually matures your “eye” for both looking at and taking pictures. There are a couple of fallacies in digital photography, one being the thinking that high contrast is “fillm-ier,” and the other that you should be able to take a crisp photo in any situation no matter how low the light. Old, classic photos aren’t all as high contrast as you might think, and even the greatest photographers of all time wouldn’t attempt to lift the camera to their eye in a candle lit restaurant basement. There aren’t any photographs of Marilyn Monroe in a dimply-lit wine cellar eating tapas. (I checked.)

Now it’s on me to blow some great moments by under/over exposing, but that’s how you pay your dues, I imagine.

1,333 notes

My friend who just broke up…

My friend who just broke up…

Petén Itza <3 

Petén Itza <3 

Who has the Best Pokerface?

Who has the Best Pokerface?

rushofnostalgia:

iPhone 5 Wall 1201 (by WRDBNR)

rushofnostalgia:

iPhone 5 Wall 1201 (by WRDBNR)

(via survivalofexperience)

857 notes

&lt;3

<3

AWESOME

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